NRD's Blog

Bestival is on it's way...

noreply@blogger.com (weclickit) — Thu, 04 Feb 2010 14:24:00 +0000

One of my favourite rappers Dizzee Rascal, alongside The Flaming Lips, and Hot Chip-who impressed me at a live gig in Dublin- are amongst the first names to be confirmed for ‘Bestival’. This Glastonbury-like festival returns to Robin Hill Country Park, Newport on the Isle of Wight from Thursday 9th until Sunday 12th September 2010.

Bestival can't wait to go Bonkers for the UK's biggest pop star Dizzee Rascal, and, The Flaming Lips' have built a reputation for putting on a mind-blowing spectacle following their triumphant 2008 Camp Bestival appearance. With this in mind, expectations are sky high. Hot Chip will also be making a mammoth fifth Bestival appearance, along with arch disco infiltrators LCD Soundsystem.

With masses of Bestival magic sprinkled across the entire site there'll be new areas such as the Wishing Tree Field and Castle in the Sky Bonfire Extravaganza to discover.

Not to mention the array of delicious foods, and, of course, lots of tea and cake. As you get to travel on a ferry to and from this festival it is like Dizzee's guaranteed 'holiday'. Surely, this is one event not to miss out on this summer.

Sponsored by Red Funnel; http://www.redfunnel.co.uk/bestival

Exclusive interview with Dave Berry on his New XFM gig

noreply@blogger.com (weclickit) — Wed, 13 Jan 2010 11:44:00 +0000

Interview with Dave Berry:

What can we expect from the new breakfast show?
A steady mix of a croaky voiced South Londoner, bloody good music and three grown men making fun of each other all morning. Oh, and lots of special guests too!

How did you get in to radio?
My radio journey at Xfm began with the “Dave Berry Saturday Show” (I came up with the name all by myself!) which was a steady mix of sketches, football and general shenanigans. To be honest, I’ve been pretty much doing the same for the past 2 years!

Were you surprised to be asked to move from drive time?
I had been asked before but a combination of a deep, deep fear of early mornings and loving my afternoon show meant I had to pass. When the boss man said he just wanted me to move everything I’m doing on the show now but to the mornings and then pointed out I can’t live my life only doing radio and TV work that allows me to lay in till 11am, I realised he was right! I also want to look back on my career and be able to say I did a breakfast show, and they don’t come much better than Xfm’s.

What makes you get out of bed?
I think for the first couple of weeks of doing the show I’ll go for the old “early morning flight back from stag do” tactic and just stay up! The only other thing that gets me out of bed in the morning is signing for my next door bloomin’ neighbours post.

What's your favourite breakfast?
Scrambled eggs, crispy bacon, tinned tomatoes with white toast and a tea with milk and one sugar, brown sauce is a must too.

What's your New Year resolution?
Don’t mess up the Xfm breakfast show.

Would you ever take part in reality TV?
I could never be trapped in one place for 2 weeks, big spiders getting into my sleeping bag is a life long fear; I won’t wear a Lycra jump suit and can’t sing or skate. So sadly, even if I wanted to - that discounts all the ones on offer.

Who would you most like to interview?
I’ve been very lucky to tick a few “dream guest” boxes over the years, including a Beatle, half of Oasis, the mod father, Sir Michael Caine and all of the Charlie’s Angels. But I wouldn’t say no to half hour with Mr Tarantino.

What's the strangest interview you've ever done?
I interviewed the Killers a few years back, the strangest thing about it was they refused to say anything! Oh, and of course that time I weighed all of the Pussycat Dolls at Windsor race course but that’s far too long a story to get into now.

What's your favourite drink?
Morning: Tea, milk one sugar. Afternoon: Sprite. Evening: Beer.

What's your favourite pub?
The Trafalgar Tavern in Greenwich SE10.

'Srikey' is all about 'keepin it real'

noreply@blogger.com (weclickit) — Mon, 07 Dec 2009 14:32:00 +0000

An ordinary trip to Barclays bank panned out to be none other than unique. After a discussion with a charismatic lady and staff member, Krupas filled me in on her other half 'Strikey'.

Comparing him to Sean Paul and other top-artists that I admire, I was determined to check him out. With various sites and sounds that are pure-class, Stikey is destined one way. Upwards...Here what he has to say about his journey to date;

At what age did you know music was more than a hobby?
It was actually in 6th form, at this moment i was on radio regularly every Friday and was performing randomly in clubs around London with my group at that time (fmk) and it all really started to sink in that I was actually good at this and people who gave me a chance and listened to my music were fond of it too, so the obsession to succeed became unstoppable!

How would you describe your style?
The definition of ‘real’

Would you say ‘the industry’ is an easy one to break into?
Hell no!!! I’ve been doing this since I was 8 years old and professionally since 18 and now I’m 24, so look how long it’s taken for me to get this far. Mind you this is me doing this myself from scratch with no help and no finance to support me.

I’m sure if I had ‘links’ and ‘contacts’ and had an unlimited bank account I would have countless video’s, mass promotion and made friends easily, but in reality that wasn’t the case. I always say, true talent prevails! It’s all good getting to the top, but a true respected artist stays there!

What motivates you? Other artists? People? LNDN life?
My mum, my family, the sheer will to succeed and the negativity!

What do you hope to achieve in next few months? Also, long-term goals over next few years?
In the next few months even if I can gain one extra fan, that would make me happy. Who knows in a few years I may have a few more.

You're lucky to have support of your family, friends etc. How important is a support network for you & other artists?
Without support no-one can do well in this industry, period! The pressure and abuse will crumble any human, so support is a must. Also if I didn’t have support from my fans I wouldn’t have a career.

What advice would you give to others starting out?
Don’t follow the crowd, be unique and true to yourself and write from the heart. Always remember dreams can come true!

Last but not least. Where did ‘strikey’ arise from? How important is it to have an original name as a musician?

The name strikey was actually a mistake!

My initial alias name was 'strike 3' because i used to street battle a lot and we would normally have three rounds. By then, I would have beaten my opponent but with a group of friends one day one accidental said ‘strikey ‘and it caught on ever since.

In my eyes ‘strikey’ also means 'straight to the point' no rif raf and that’s exactly who I am. So to have an original name that defines the artist is important to showing character.

STRIKEY
Strikilios Ents ©
www.strikey.co.uk
www.myspace.com/strikey1
www.youtube.com/officialstrikeytv
http://www.facebook.com/pages/STRIKEY/7251171078?ref=ts

XFM's Christmas Wonderland

noreply@blogger.com (weclickit) — Tue, 24 Nov 2009 13:15:00 +0000

The lights are up on Regent Street, ice-rinks are frozen-over and festive stockings are being worn and bought. Amongst this season shines XFM's Christmas Wonderland...

This wonderland is in it's sixth year running, welcoming acts such as The Fratellis, The Scissor Sisters, Ash, Babyshambles & Bloc Party. A diverse and dynamic mix of course.

On December 16th, the O2 Arena will be filled with Razorlight, who return from the US to share their outstanding talent. Alongside the upcoming rock band Temper Trap. Not forgetting the Big Pink, who have soared the stations with their latest hit 'Dominos'.

Whether you are an XFM listener or not, a fan of Christmas or not...this is a gig not to be missed out on!

Women 'Step up' at the UK BBoy Championsips 2009

noreply@blogger.com (weclickit) — Sat, 24 Oct 2009 12:31:00 +0000

It was not long ago when women burnt their bras in hope for an equal world. Although the debate about sexism is still pervading the news, it appears through dance and performance women are hedging forward. Movies like 'Step Up', 'Honey' and 'Save the Last Dance' can now be seen in live action.

Sony Ericson's annual BBOY or Breakdancing championships, running since 2007, allows groups around the globe to compete for the world tital. A two-day knockout show was filled with bumping music, funk-style fashion and intense passion from the competitors and their crews alike.

American BBoys 'Endangeared Species' winning this years world-title. Meanwhile, there were Awards given to World's Single Best BBoy, Worlds Locking title, and World's Best Bopper-being a young lady might I add. Let's not forget the 3 on 3 B-Girl battle winners. A special moment for all present.

With that in mind. I'm calling all the so-solid ladies to get on board and form a crew of your own. BBoys better watch out in 2010!

Sports against Racism events are a knockout...

noreply@blogger.com (weclickit) — Mon, 05 Oct 2009 13:45:00 +0000

As I walked around the football pitches of Europes largest open-air 'Phoenix Park', the energy was contagious. With it's 13th year in place, the 'Sports Against Racism Irish Soccerfest' was undeniably a hit.

On September 12th and 13th, Childrens' painted-faces were transfixed by the clown and entertainemnt show. Whilst the 'Concern charity kitefest' filled the sky with an array of colour-filled kites. It was a profound moment for anyone who was present.

Cloaked behind the innocence of the angelic smiles, the noteworthy passion and determinated of the players was seen. Varying from the 'All-African Insaka' and 'Moldovan' teams to that of ladies from 'Raheny' and 'O'Devenney'. Every individual involved both on and off the pitch, including myself, had their own reasoning to back up this cause.

Upheld by Ken McHue and their board of directors at 'Sports Against Racism Ireland' are working to curb the societal issues of racism and Xenophobia. Always working from the grassroots up, such annual events allow for their awareness to spread. The positive response to this event suggesting the mark that they are making on the Irish public.

Despite this, racial intolerance is an issue that spreads across the globe. Thankfully 'SARI' and 'Show Racism the Red Card' in the United Kingdom and Ireland are doing a remarkable job at confronting this issue. Once again, proving that Sports can not only provide jobs, businesses and entertainment. It can breakdown impassable walls that nothing else can.

Let's hope their success continues for the SARI '10Km Crookfest run on November 7th' and for all events which are sure to follow suit.

Emma Ledden communicative courses curb Glossophobia

noreply@blogger.com (weclickit) — Tue, 15 Sep 2009 15:31:00 +0000

Glossophobia, otherwise known as fear of public speaking, ‘is believed to be the single most common phobia-affecting as much as 75% of the population’. Speaking with TV Presenter Emma Ledden, this was never the case. Cork-born Emma started out as a model. At twenty-one years old, she surpassed thousands of European hopefuls and landed the job on ‘MTV Europe’. Following this, Emma replaced the role of Zoe Ball, when she was hired for the BBC Ones children’s show ‘Live and Kicking’. Like many presenters, Emma has faced highs and lows with regards to the business. Yet, meeting with her years later, it is clear that she upholds her career with her most recent role being a judge in the search for Ireland's 'Xpose' presenter. As the interview unfolds, two factors become apparent an unquestionable talent and a passion to teach others how to overcome ‘the fear’.

To date, Emma has trained in Media and Communications and being an expert in this field and has set up her own company. Fundamentally, she ‘prepares people for auditions where they have to speak in public’. Her training varies from ‘presentations, job interviews, conferences and events’. Not to mention, her work with individuals in the media ‘who are preparing for their appearances on radio and television’.

Proficient in her skills, Emma endorses the importance of public speaking in as far as to say that ‘people lose jobs, promotions and opportunities because they did not develop their presentation skills’. Additionally, she points out the similarities between training individuals who are presenting to camera, to those speaking in school or at events. Essentially, they are all mediums of communications, with the key aim being the person's ability to transfer a message to a broader audience. Subsequently, ‘talking to camera, understanding television and what is required as a presenter is where the difference comes in’.

Speaking with an expert, one must ask the requirements of this role? Emma symbolises ‘being a good presenter is like learning to swim. Anyone can learn the technique, but not everyone likes the water. Some people are afraid of it, some people can’t be bothered getting wet. Others, no matter how many lessons they take, only ever manage to front crawl.’ However, like in every skill ‘there is one or two, who love it, work really hard at it and have a natural talent for it’.

With this in mind, Emma suggests that ‘the sooner you start the better you will be’. At present she coaches ‘individuals from both the public and private sector and many students’. Evidently, there is no boundary to which the fear of public speaking can reach. Hence, one integral part of Emma’s job is helping her clients to embrace these nerves and to channel them into the presenting experience. Enjoying the moment, whilst communicating the message is the end product she hopes to achieve.

Whilst public speaking is something that Emma has always delighted in, I moved onto the serious topic of on-camera pressure of ‘image’ and size-zero weight, even for men. As a media coach, these are issues that must be taken into consideration. Emma admits that ‘there is a pressure for people in the public eye to look a certain way’. Sadly, ‘when they put on or lose weight it is reported in the news’. She posits the questions as ‘Who is to blame? The celebrities, the media, or the people who buy the magazines?’ ‘I don’t know the answer to that’, she concludes.

Despite the fact that Emma has had a long-lived media career and has a new company in the pipeline, her modesty still remains. ‘I still feel blessed when I am offered an opportunity to present or contribute to the media’. With a down-to-earth and honest approach to her career, it’s no wonder that she still soars above many of her peers. Her hard work ethic reflects the reality of the fast-pace media business to those interested in entering into this field. Having ‘hands on experience, you learn and understand the business in a way no book could ever teach you’. No books, no rules and ridding this fear, the ideal tutor that she is.

VIP SANTA to rent

noreply@blogger.com (weclickit) — Sat, 05 Sep 2009 10:10:00 +0000

Being averse to the commercialization of Christmas, my mood on the topic was altered after a discussion with established actor and entertainer Damien Samuels.

Hugely known around the London film circuit, Damien has been chased by monkeys in the Basement Jaxx video, dressed up as a dog for his latest music video and is seen across our UK screens dressed a fireman in the Capri Sun Ads. So, it comes of no surprise that his latest chamelon is Father Christmas on tour...

'Santa' is using his magic in order to bring Christmas spirit to the homes and offices around London, or perhaps the world with his special Santa sleigh!

The white-bearded man guarantees to 'give your family a memorable experience they will cherish forever'.

Thankfully, 'each visit will be tailor-made to fit your requirements, whether delivering your presents, turning on the Christmas tree lights, or reading your children their favourite Christmas story. He may even bring one of the elves along'. A role which I am hoping to fit in myself.

Although my opinion isn't that easily swayed, he has certainely lifted my spirits about the joy that santa ensues.

My advice is to book him today. I'm sure that this VIP Santa will be on every Christmas list and you don't want to miss your only chance of a happy holiday!

'Dont think of the effort, think of the end result'...

noreply@blogger.com (weclickit) — Fri, 04 Sep 2009 16:31:00 +0000

After befriending one of Ireland's top-class motion graphics editors, Robert Hartigan many years ago. I decided it was time for his first (of many to follow) Q & A sessions. Most importantly, I wanted to pick his brain for the method behind his Motion madness....

1. At what age did you realise that you would like to be an editor/visual designer?
1- Firstly, when I was kid Ialways wud say to my mam and dad I would get my name on credits of a movie/tv programme someday. Well, i didnt really know about bein an editor until I was about 17. I always loved art and did honours for the leaving Certficate and got an A2. So, motion graphics and visual effects were on top of the list first.

Yet, I quickly realised it takes along time to master it so I started editing and fell in love. You are throwin a lump of tapes and notes and told to make something great.....Bring it on . I love a challenge!

2. What inspires your work and creativity?
2- I would have to say my love of movies, art, and especially muisc videos old and new. Also, I love astronomy so I'm always checkin out the NASA website. On there they have some amazing images from the hubble telescope -the colours and random designs of these deep space photos have unlimited imagaination. Great inspiration for creating new styles .

3. Can you describe a typical day for you?
3- Typical day would begin with checking feedback from clients on the draft video I had sent the day before. So, I would go through changes with them over the phone. Or if there is a quick turn around on the project the client would sit in on the edit.

Like any media job, it can vary quite a bit depending on the project. But generally speaking that would some up a regular day. Overall, the motion graphics; grading, sound, compression, needs to be done...yet, there are a dozen hidden elements to every project whether its a tv show, advert, corporate etc.

4. What would you like to do long-term in terms of your career path?
4- My long term plans are to be a senior flame/smoke artist for online editing and compositing high end shows, ads etc. I'm also actively looking into steroscoping composoting aka 3D.

5. What advice would you give to others starting out?
5- Advice would be....... 'dont think of the effort, think of the end result'

After viewing his reel, you can see his raw talent. Not only has he worked on editing of all my own work, but he has covered campaigns both in Ireland and whilst working in Thialand and London.

Clearly, he has taken his inspiration from NASA.
He is a man on a mission.

The 'Walking Pen' Project...

noreply@blogger.com (weclickit) — Sat, 15 Aug 2009 13:11:00 +0000

Borrowing a pen off someone appears to be slightly standard. Or could be taken as strange if you never asked for it to begin with. Yet, I knew something was up when the man handing it over was the Brazilian advertising creative director, Marcelo Pena Costa.

With an e-mail address printed boldly on the pen, I went immediately into investigation. After a few moments of web research, a feeling immense pressure came upon me.

Little did I envisage the role that I had been given. All for the sake of taking this pen? Even still, I decided to add my details to the website, knowing that I must not give up on his pursuit.

Marcelo has perhaps used his South-American passion and admits to ‘being constantly involved in personal projects is essential for my personal development’.

In this case, Marcelo has set up the ‘Walking Pen Project’ in a similar fashion. Dropping hundreds in his hometown of Brazil, and back in London, he is now working on the expansion plan across the globe.

Like me, upon receiving the pen you enter into a secret-online community of ‘Walking Pen’ surrogates. Free to talk with other 'parents', all from different cultures and backgrounds.

Sadly, as a writer my attachment to this baby has grown strong. Yet, I know that I must hand it over… and let it walk alone. For others, you must try to find one of your own.

Let's embrace this project and see how far across the world these pens can actually go!

Modern-day directors with an old-school essence

noreply@blogger.com (weclickit) — Sat, 15 Aug 2009 12:59:00 +0000

Imagine stepping into an office filled with the kids from ‘Stand By Me’. Except these have grown up and are in the film industry.

These four young men share a vision to move beyond the boundaries of visual convention in directing. The creation of Asylum Films is what I speak of.

Coming from the United Kingdom and France; Ed, Ben, Jos and Phil have pooled their skills with an outcome of modern cinematography.

Having university training in directing and producing, their agency has coveted music videos, commercial work and short films. Their aim is to keep constant in their workloads, welcoming all kinds.

Having won a list of awards and nominations, such as, the ‘Silver Hugo’ at the Chicago film festival and nominations for the Soho Film Festival, these guys don’t just talk the talk.

Their latest venture being an animation music promo, accessible on www.25thestate.com, their style is ever-evolving.

Even better than the film itself, they are all alive and well, with their friendship still going strong. Asylum films are a modern-day gang to watch out for.

There will be no 'dead end' to Master Shortie's A.D.H.D sales

noreply@blogger.com (weclickit) — Thu, 23 Jul 2009 22:37:00 +0000

With Hip Hop music being the top of the charts, news of the latest 'shortie' on the circuit didn't come as any surprise to me. Until I entered into 'Master Shortie's domain.

Shortie's father ran a Jazz bar so, he was on a mission to find his niche from an early age. This in turn led to his first rap tunes being released at the tender age of 12.

Followed by some suitably short stints in BRIT School and Nescot Technology. It appears, this training was long enough that he knew they weren't for him. Yet, these influenced allowed for him to begin on his road to rapping.

After touring with various American urban acts and grindie band 'Hadouken', Shortie was ready to complete his successful debut single 'Rope Chain'. Since then, he has been shortlisted to the UK Sound of Poll 2009.

With tracks such as 'Dance like a White Boy' and 'Dead End' blasted with an individual energy, it appears his latest album A.D.H.D. is appropriately termed.

This 20 year-old South Londoner has a timely mix of Hip Hop, Indie and electronica, with all styles present the charts in recent months. His energetic tunes are fun filled, which is similar to the man himself.

He is fearlessly allowing free entry for all (who purchase the album) into his launch party
this Monday 27th of July. I am certain, A.D.H.D. is a profitable purchase this summer.

Jumba Jonnie and his casting class...

noreply@blogger.com (weclickit) — Tue, 21 Jul 2009 18:03:00 +0000

After a recent encounter with Jonnie Malachi, who is not only a photographer and director but, a dance-music video director. Evidently, I had a few blatent questions to ask. Mainly about the 'booty shaking' casting process.

Expressing his key skills as a director, he ensured me that each candidate had got to shake/show off their skills within the 5 minutes of casting. Great news for all.

Moving on to the elimination process, being the most important question by far. I now know that there are in fact genres of ladies bootays, that he uses in each video. Diverging from Preppy schoolgirl to downright Christina Aguilera 'dirty'. A sigh of relief from myself, that the intellects were given equal chance in this music video clique.

However, my research shows that there is no chance of underestimating this man. Following his 2;1 in his History degree, he entered the business with his own student magazine 'Jumba'. Being such a success that it was taken over by the 'Yorkshire press', who printed over 10,000 copies.

With regards to his music videos, he has worked with the established labels 'Ministry of Sound', Sony and Universal Records. His latest receiving over 8 million hits on You Tube, proves his casting process is one to note.

Photography is another notch on his belt of talent. His Advertising clients include Saatchi and Saatchi to those in Red Bee Media.

Moving on to his short films, with comic actors such as Damian Samuels (aka 'the puppy' in his latest short) involved, it is no wonder that he is an all round hit.

His ethos 'lets make it happen' , is something Jumba Jonnie is destined to do.

An ideal Sunday in Inconceivable Islington

noreply@blogger.com (weclickit) — Sun, 14 Jun 2009 17:37:00 +0000

London is ‘large’ by no stretch of the imagination, yet, I have found a haven not unlike that of Dublin. Even still, it retains its own character and edge…

Awaken your day with a run around the area, boot camp in Virgin Active or perhaps a Bikram Yoga Class.For the fashionistas, head straight to Islington’s Upper Street (Grafton Street’s Equivalent). Which hosts an array of shops, such as the unique ‘Labour of Love’, ‘Seconda Mano’ and ‘Fat face’ ideal for festival goers.

Thankfully, there is no need to enter into the underground as Islington contains its own ‘Camden Passage’. This presents a market of upcoming designers, stalls and ‘bits and bobs’ (which is visited mainly on Saturday afternoon by the local chic community and outsiders alike).

Whilst there, you can view the ‘rockarchive’, Japanese and Sesame galleries’. With the excess of vintage stores seen in these back cobbled streets, there are ample opportunities to retreat back to your 80’s styles.

Then a visit to some fine food in the unique gallery and cafe like ‘Maconda’. Or a trip to the ‘The Breakfast Club’ and ‘Fig and Olive’, or some organic frozen yogurt in 'Frae' (being personal favourites so far). Not to mention the 'Moore Street' style stalls, just off the main street, with fresh fruit, Vegetables and of course some fresh fish.

If you're not lucky enough to get game tickets to Finsbury park then there is an endless list of pubs, which are reminiscent of Dublin. These hang-outs not only offer ‘Sunday Roasts’, but are great places to spend your day off watching a game or sitting in the splitting sun.

To end the night there is the local ‘Kings Head theatre’, Comedy clubs or the Screen on the Green’ for Indi Movies an offer. For the wilder folk, the pubs stay open until eleven-thirty or well-hidden Tinderbox cafe is for late-night coffee and chats.

After this, if you are not ready for bed….there are some parks in which you can do a quick walk before preparing for Monday in work. Inconceivable Islington is a must-see for those visiting London or those who had forgotten how great it was.

‘Who dictates media content, people, professionals or proprietors?'

noreply@blogger.com (weclickit) — Sun, 14 Jun 2009 16:04:00 +0000

Throughout history, media was known to be ‘a transmitter of information’, even more importantly ‘a powerful institution’ economically, socially and politically. Derived ‘in the late 19th and early 20th century were the press, radio, television, cinema and telecommunications industries’. Hence, there was a symbiotic relationship between the media and a revolution in Technology. This also brought forward a new wave of ‘ownership consolidation and concentration-the advance of huge media conglomerates owning vast swathes of media in newspapers etc.’ As a result, Mass media theories have listed diverse views on the power behind the organisation. Even further on it’s ability to represent the masses in society in an accurate and fair manner.

Dating back to the 19th Century, the audience as media viewers were labelled as ‘passive’, who would agree with what was reported about the world in which they lived. Yet, with the rise of Capitalism and Press intertwined in the 19th and 20th Centuries, this shifted into a new sphere of thought. Therefore, opinions started to negate away from the consensus and the trust in these media organisations declined. Even still, the argument about the power of the press is left open and my study shall investigate further into this line of thought.

Primarily, the Media had the selective role of what was relevant to publish, picture and broadcast as news. Along these lines, researchers Noelle-Neumann and Mathes have made two assumptions that they have called to question; firstly, ‘that the media convey a true image of reality of the news on a reduced scale and that there is an immediate, mirror-image, relationship between events and media reporting’. Followed by an idea that, ‘the media use the concept of selective perception and holds that recipients select those items from the mass media which confirms their view’.

With the subject of media events in mind, Noelle-Neumann and Mathes have used a method of comparing extra-media (Participation oberservation) data and intra-media (news coverage by the press) data. This was set into place in order to see who has provided the accurate coverage of the newsworthy events which they used in their research. Using as an example, they observed a widely covered protest in London against the Vietnam War in 1968, which had 60,000 demonstrators and lasted over four hours.

During this particular event, a moment was captured whereby ‘a policeman named Rogers was pushed down and kicked in the face by a demonstrator’. Despite the fact there had been no other violent attacks during the entirety of the protest, this picture was published and portrayed as the essence of the protest. In sum, it was suggested that ‘a discrepancy between ‘event as event’ and the ‘event as news’ was evident. Endorsing the view that ‘the media play a role not so much in directly changing the ideas’ in people’s heads, but in creating a false picture of the social reality they inhabit’.

Addressing the study taken by Barrat, provides a list of those who influence the media, which affects the medias decision as to what is newsworthy or not. Barrat list these groups as follows; the state and the legal system, ownership and control, Media technology, Professional environment, audience and advertisers. Here, the power behind the media subject is diluted across a broad spectrum of societal groups. Once more, posing the question as to who dictates the media content?

At this time, ‘there is a dominant idea within most media in the western world. It is that private ownership, competition and the market are the only rational means of organising the manufacturing and provision of goods and services’. Hence, ‘there is always a ruling consensus whose parameters are largely determined in advance’.

Focusing on Europe, especially in Ireland and the United Kingdom the dominant form of broadcasting has been that of Public Service model. Examinations of the ‘Autonomy within the media’ by James Curran, suggest that these organisations are heavily owned or heavily regulated by the state. Although this system can allow for ‘licensed autonomy’ of the press, there is an internal flaw seen here. Unfortunately, for the Public Service Broadcasters, it can ‘sometimes see their ‘owners’ as politicians and political elite rather than the largely amorphous public who pay their license fee’. This reflects the authority of media content behind the proprietors in the system.

Through further investigation, Curran illustrates the discrepancy between Television and newspapers coverage of events. Noting government election campaigns between the Conservative parties of Margaret Thatcher, to that of the Labour party under Ken Livingstone. Using the case of the print content of Ken Livingstone’s comments regarding British involvement in Ireland, suggested that the IRA were not ‘Criminals’ and Britain played a negative role in this battle. Evidently, this caused controversy across the tabloid and broadsheet press. Yet, the truth was revealed on a TV interview Livingstone pointed out that “I wouldn’t agree with what I was quoted as saying’. Therefore, implying the power of profession of journalists on media content.

With the profession of journalist’s power in mind, he suggests that they have a ‘licensed autonomy where journalists are only allowed independence as long as it conforms to the demands of the employing organisations’. Furthermore, that ‘the BBC is constrained by pressure from government, with its independence as ‘tactical autonomy, which obscures higher levels of control’.

Coinciding with this, external factors of Advertisements and Censorship of the press must be accountable to the professionals and proprietors. For instance, ‘control over broadcasting mirrored government control over the printed press in the 19th century’. At this time, ‘the need to appeal to advertisers also forced newspapers that were focussed on a Woking class audience to broaden their appeal

Taking another angle put forward by John Whale, former Irish Times journalist, that ‘the broad shape an nature of the press is ultimately determined by no one but its readers, because newspapers must reflect their readers views and wants if they want to survive in the market place’. Additionally, the emergence of the internet has heightened the role of the public has on their absorption and their command of the content.

Yet, studies show that, ‘More than a decade after the Internet went mainstream, the world's richest information source hasn't necessarily made its users any more informed. A new study from the Pew Research Centre for the People & the Press shows that Americans, on average, are less able to correctly answer questions about current events than they were in 1989. Citizens who call the Internet their primary news source know slightly less than fans of TV and radio news’. Does this point reflect an immobilized or detached audience as controllers of media content?

In conclusion, with an insurmountable arena of media content on show, this blasé attitude could reflect the overload of media content on society. Yet, conflicting studies suggest that ‘your media consumption preferences are turns out in large part having an impact on your knowledge of world affairs, current events, etc which are crucial to democracy’. Clearly, some ‘influence between media and society grows from inherited traits like evolved characteristics, intelligence and socialization. Around the world, Media forms differ by societies because just as media influences society to make changes, society also dictates what form of media will best serve and can best survive with a society.’ Therefore, indicating the importance of media content-whether it is deemed as accurate or not-on the lives of citizens around the world.

In sum, the media model is a multifarious one, with the guiding force being from the proprietors; both corporations and government. Yet, journalists can assimilate their information and portray the news in a manner in which they deem as marketable. Lastly, the public have a role in what they accept as newsworthy in the content that they read, watch or hear.

Therefore, the system is one that is dependable upon one another in order to retain their power over content. With studies showing that the content is managed from the proprietors who rule what is covered in the media arena. Even still, professionals and the public have and will always resist this. In turn, will influence sales and advertising and force the system to adjust according to their interests. Thus, media content is dictated by the society as a whole; public, professionals and proprietors all included in the structure.

Politics of the Image

noreply@blogger.com (weclickit) — Sun, 14 Jun 2009 15:59:00 +0000

‘Art is an irreplaceable way of understanding and expressing the world-equal to but distinct from scientific and conceptual methods. Art addresses us in the fullness of our being’. ‘Art delights, instructs, consoles. It educates our emotions and is the only thing that can mean something at a different stage of our lives.’

Traditionally art was used as a vehicle to illustrate and illuminate history. Historians recognize that some art may help them to indentify and explain the nature of the society or a period in time. Sifting through the eras from Caravaggio to present-day artists like Banksy, we can see the power of art and the influence it has on the world in which we live in.

Dating back to the religious world, at the peak of the roman and Greek Civilisation. Here, religious paintings symbolised people’s belief and morality, seen through the work of artists like Van Eck who painted the ‘St. Barbara 1437’. He was the master of depicting delicate architectural forms with a soft drawing style that sharply defined details of drapery folds. A technique which prevailed at that time, mirroring the delicacy of society.

Moving onto the era of The Renaissance and Patronage where Paintings, sculptures and architectures were almost always produced by Artists at the specific request of another person i.e. the patron. Powerful images brought contrast to hierarchy in society; they divided up the rich and the poor. Hence, art reflected a society that was ruled by a class division.

Yet, one man who would not conform to this style of painting was Michelangelo Merisi da Caravaggio. Caravaggio expressed his desire towards a society without the division of class. Here, we see how art and Society was constantly encouraging each other to move towards a goal, an ideal society. One that Caravaggio strived for through his work. From his style we can see the Realism in which holy figures in his paintings were modelled on ordinary people.

Throughout his career, many of his peers denounced him for various perceived failings, notably his insistence on painting from life, without drawings, but for the most part he was hailed as a great artistic visionary: "The painters then in Rome were greatly taken by this novelty, and the young ones particularly gathered around him, praised him as the unique imitator of nature, and looked on his work as miracles.” Even now, his portraits surpass modern artist and his style is individual style is praised upon across the world.

Subsequently, we move into the Early 18th Century, otherwise known as the age of Rococo. This was seen as moment of irresponsible freedom of ‘Art for Art sake'. Paintings were imitating idealistic moments of happiness, flowers and birds and purely decorative. Despite this, artists such as Jean Antoine Watteau reflected an underlying representation of Reality. Yet, the late 18th century marked the rise of English Mastery of Landscape paintings. This prevailed throughout, up until the 19th Century when a significant change emerged in art and humanity.

Seen through the 19th Century; Women in Art and society were divided into either domestic goddesses or ‘fallen women’, which made eroticism an area for artists. Seen through the work of Jean Auguste, who found the most acceptable way to express this by referencing to Eastern societies where women were seen as sexual objects. This was the century where Naturalism and Realism were promoted; expressing an age where there was an interest in physical appearance of the world for the first time.

Preceeded by, the Industrial Age, which recorded a time of Industrial Revolution and of slavery and child labour. Here, the artists connected with their own passion about this situation and responded by identifying this human application of the poor living and working conditions in their art. This was an original method as it recorded the exactness of the cruelty and misery at that time.

Alongside this, an advancement seen through the practise of photography began in America in 1839, invented by the renowned Louis Daguerre. Before this time events were portrayed by a means of painting, and differing images of Queen Elizabeth I imply that it is difficult whether these were ‘Fanciful, incorrect or blatantly dishonest’.

From the first image of photography, which was described as ‘silver-plated, mirror-like object called a daguerreotype’, the concept of capturing a visible moment in time had begun. To start, photography was a lengthily process whereby each image would take over thirty images to prepare, followed by a print process of lithography and engraving.

As the process evolved so did its style and content. Moving on to the photography of American Civil War in the 1850’s, the concept of Documentary photography had its birthplace. Although, it was often consigned by art critics that ‘documentary photographers were mere recorders, skilled technicians to be sure, but passive observers of the social scene and definitely not artists’. This idea that they were only ‘observers of the social scene’ is now known as huge misconception. Despite this, it was evident that the photographers and critics too, were unaware of the impact their work would have on history, especially in the area of photography.

Focusing on the work of Robert Fenton, who in 1859, was the first photographer to provide a picture of the ‘reality’ of war. Images such ‘In the valley of the shadow of death’ would undoubtedly influence the social perception of war, misery to those who viewed it in his home country of England. Although there was a huge impact of Fenton’s documentary style of photography, it was noted as to how representative these were of the tragedy of war. Yet, he knew himself that the camera was ‘the eye of history’ and with only one witness present, it was either his or no image at all.

Conversely, the work of Mathew B. Brady, who in 1862, was commissioned to cover the American Civil War. His work is said to provide a more impartial picture of the sequence of events. Images such as ‘Confederate Dead’ were evoked an emotion to the viewers. This style is in its essence a documentary style and influential to war photographers who followed suit.

Prior to the 20th Century, artistic mediums were utilized much more often as tools of information distribution. Hence, ‘people saw their own world as these stories and images; and thereby developed their own consciousness through the lens of these artists’ presentations’. It is noted that ‘we have more information at our fingertips than anyone in the 1930’s had in their own lifetimes. Hence, ‘they relied on artists to be the truth tellers of their societies, to tell them new stories and give them a different perspective on old stories’.

By the end of the civil war, photography and art had shifted into a new sphere of thought. This mind behind the action was looking through the camera and images of the time are there to prove this. With the emergence of photography alone, communications lines expanded across the world. It appeared to be smaller, yet, had more layers, questions and complexity attached to the figures it portrayed

Together with prominent modern artists such as Picasso; who’s politically significant work was influential at his time and to this date. Focusing solely on his portrait of ‘Guernica’, which is said to symbolise the Spanish Civil War was widely debated. The idea of cultural contemplation regarding his work reminds us that art was in place to reflect the human psyche at that time.

As a result, there were hundreds of interpretations of this painting, which remained in the New York Museum of Modern Art. However, it was noted through a letter from Picasso to Mr. Alfred Barr, who owned the Museum what the artist felt about the power of his art on the public who viewed it.

Picasso responded that ‘this bull is a bull and this horse is a horse. There’s sort of a bird, too, a chicken or a pigeon, I don’t remember now exactly what it is, on the table. And this chicken is a chicken. Sure they are symbols. But it isn’t up to the painter to create the symbols; otherwise, it would be better if he wrote them out in so many words instead of painting them’. He ended that ‘It’s up to the public to see what it wants to see’.

In suit, came the Modern artist era. Here, one cannot forget the work of American painter, printmaker and filmmaker Andy Warhol, ‘who was a leading figure in the visual art movement known as pop art’. It is said that through is work and public persona “He immortilized the tortures of dehumanising capitalism…’I want to be a machine. I think it would be terrific if everyone was alike’”.

In view of that, Andy Warhol became an iconic figure in society. Known for his famous factory, pop culture designs and avant-garde filmmaking, he was forward-looking in his approach to all mediums of art. Thus, in 1989, the Museum of Modern Art in New York had a major retrospective of his works. Additionally, two museums in his dedication are in place in Pittsburgh and his home of Slovakia.

Advancing to 2005, where the editorial cartoons of Mohammad were published in the Danish magazine of Jyllands-Posten. Despite the fact, the newspaper announced that this publication was an attempt to contribute to the debate regarding criticism of Islam and self-censorship, an uprising began. Consequently, protests began across the Muslim world. Protests escalated to the death of one-hundred civilians. Furthermore, the Danish Embassies in Syria, Lebanon, Iraq, all of which were set ablaze.

It was recorded “While a number of Muslim leaders called for protesters to remain peaceful, other Muslim leaders across the globe, including Mahmoud al-Zahar of Hamas, issued death threats. Various groups, primarily in the Western world, responded by endorsing the Danish policies, including "Buy Danish" campaigns and other displays of support. Danish Prime Minister Anders Fogh Rasmussen described the controversy as Denmark's worst international crisis since World War II”. In this case, all actions are ones which stemmed from the publication of these images.

In more recent years, images of the work of the English mysterious Graffiti artist Banksy emerged across the globe. Banksy’s stencils ‘feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects include rats, monkeys, policemen, soldiers, children, and the elderly’. His incomparable style and content has separated him from other artists and caused worldwide compliment and complaint.

Some of his most famous works have been tagged across all tiers of the world. For instance, in March 2005, he placed subverted artworks in the Museum of Modern Arts, Metropolitan Museum of Art, and the Brooklyn Museum of Art and in London’s Tate Britain Gallery. With his motto of art to ‘think outside the box, collapse the box, and take a fucking sharp knife to it’, he is destined to leave a mark.

Then in June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go. After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.

In recent weeks, Irish citizens have witnessed our own ‘Bansky’ at play. On March 7th, Connor Casby left a nude image of the Taoiseach Brian Cowen in the National Gallery of Ireland. Unbeknown to the workers, the picture remained hanging for over an hour. Yet, the impact of this image amounted to hours of controversy, within the public and private sectors of Irish society. Once again, endorsing the impact that images can play on the minds of the observers.

Evidently, all societies and cultures have limits on what is acceptable behaviour and what is allowable in the way of personal expression. Yet, the arts remain a relatively free space in which to create elaborated forms of public expression.

Art can have an impact on the consciousness and therefore allows for ways of looking at and thinking about life that may not be tolerated in the social and political paradigm of a given society. Even more importantly, art and artists can-and do- make contributions that help focus awareness on needed social changes.

Recent art theory and criticism reflects a shift of emphasis from the object to the experience of the viewer. Now there is a suggestion that art can, through intimate identification, create empathy. This means that art challenges the viewer not just visually or through the intellect, but through the whole emotional, spiritual, ethical, intuitive and psychological being.

History proves that art has reflected advances in Science, technology and humankind,
Yet, the question of its power is still contested. Despite the blatant impact images have had on the world, the inability to quantify how it has metaphysically impacted our lives, leaves a weakness in the argument. In spite of this, my opinion remains. Art is like a ghost walking through a crowded room. Some may not feel its presence, others will not believe in the idea, but, it has the power to leave an everlasting image on those that it touches.

Equality in Sports

noreply@blogger.com (weclickit) — Thu, 30 Apr 2009 17:06:00 +0000

‘Immigration and integration are issues for the long-term in Ireland and for good reasons too; 12 percent of our population is non-Irish and16 percent of our workforce is non-Irish’. Yet, a new study released from Limerick’s centre for Peace and Development Studies, found that immigrants feel unwelcome and ‘resented’ for taking up local employment.

‘Racism can take many forms and affects thousands of people in Ireland today’. It can be stereotyping people of a different colour. Some cases become so extreme that they come in forms of harassment. This premeditated form happens throughout Ireland on a daily basis. Similarly, Sexism is prevalent in all areas of society today. It may be a surprise to hear of the recent award of 30,000 made by the Equality Tribunal to Ms. Boyle in relation to her mistreatment at work.

Most recently, the ‘Know Racism’ report revealed that 36% of Irish people have no contact with non-Irish nationals. Posing the questions; why do we shy away from Irish individuals from different ethnic backgrounds? Additionally, have we moved out of an old-school thought or do we remain in a rigid pattern where women should stay at home and men are the breadwinners?

One area where these issues are being confronted and tackled is through Sports in Ireland. On the pitch, club or whatever arena the Sports is practised or played, colour or gender is immaterial once that whistle blows.

Fortunately, organisations such as SARI; Sports Against Racism in Ireland and ‘Show Racism the Red Card’ have worked hard to integrate Irish citizens from all races through Sports. SARI was set up by Ken Mc Hue and Frank Buckley in 1997. Ken explains that ‘Sport is there to tackle racism’ and his organisation ‘has grown from a community-based one to a global organisation’ with counterparts reaching as far as Ghana.

One event held in honour of this, is the SARI annual world cup which unites races on the field and off. This allows teams like the ‘Insaka All-African Youth Movement’ and Ghana All-Blacks to no not only participate, but inform others about African culture at the events. SARI embodies a grassroots approach as a means of tackling racism through action. Here, development programmes are in place which trains players into coaches. This skill in turn allows them to teach others, from all backgrounds to come together on the pitch as a team.

Ghana-All Blacks player, Samuel now coaches both in Ireland and in his hometown of Ghana. He explains the importance of his teaching for those in Ghana ‘who don’t have the chance to go to school’. Here in Ireland, he reminds us of the challenges that African people living in Ireland face. With an open mind, he understands the only way to move this is negative perception is to ‘change people’s mentality by showing them all the good things about African culture’.

With regards to ‘Give Racism the Red Card’ organisation, they are using ‘Intercultural plans’ throughout the classrooms of Ireland. Speaking with Garrett Mullen, he explains the ‘these educational packs are there to inform children from an early age the importance of integration’. Alongside this, their latest campaign involves 14 ‘League of Ireland’ clubs and 70,000 posters of ‘Show Racism the Red Card’ are nationwide, in order to spread this awareness.

Additionally, the GAA have implied an interest in this area of equality through sports. One consideration is that Gaelic and hurling’s is rooted in Irish culture, hence the barriers are tougher. Especially, when compared to the internationally played football and Rugby. Yet, GAA President Nickey Brennan reminds us that ‘the GAA is an organisation dedicated to promoting Irish culture. We believe that the growing diversity in Ireland enriches our Irish culture and should be welcomed’.

Moving onto the contentious issue of sexism in Ireland, Noel King, FAI Republic of Ireland coach explains ‘there is a future for women’s sport in Ireland and remains an integral part of sports’.

Alongside this, Ex-Republican player Susan Boyle, is now focusing her efforts on community development officer for the FAI. Working with youth late night soccer leagues in Darndale, she explains ‘that as a woman it is more difficult but having 70 caps for Ireland gives her an automatic trust with the players’. Once again, emphasising the barriers that sports can break down between sexes and races alike.

On a similar note, World-Champion boxer and Republic of Ireland Footballer Kate Taylor upholds a successful career in Sports. Not to mention, speaking with Caitriona Bergin representing Women’s Leinster Rugby agrees with the ongoing changes in Womens rugby. She states that they 'are moving forward in their attempts to promote equality through sports on the pitch and at events'. Alongside these, the list of women’s teams and club are continuously growing and reflecting this change in society.

Undeniably, Sport is a place of action. This arena proves to be place for any gender, class and races across Ireland. Despite the fact that there is still a long way to go in terms of integrating, there is a shift in the mould. It is hopeful that with all these organisations, clubs and individuals united on the pitch, off the pitch equality shall remain strong.

Student Media Awards 2009

noreply@blogger.com (weclickit) — Tue, 31 Mar 2009 10:59:00 +0000

Unknown to many outside the Media business are the 'SMedia Awards'. This is sponsored by significant number of Media organisations including; Nokia, TG4, TV3 and The Irish Times to name a few. Hosted by in the Mansion House this Thursday April 2nd by Ray Foley it is a night to look forward to.

Although there are over 30 Awards, some of the categories include; Newspaper of the year, Short story of the year, Web designer of the year and let's not forget the 'People's choice Awards' for magazine of the year.

If it is anything like last year's success, it will be a eventful night with the launch of many students into their careers in media. These are the one's to watch out for!

Launch of 'League of Ireland' website

noreply@blogger.com (weclickit) — Tue, 31 Mar 2009 10:03:00 +0000

This month, League of Ireland has launched it's new website. This includes an array of fixtures, results and even includes an online monthly TV Show. Coming from a background in Sports along with my training in presenting and jounrnalism, I have been asked to present this show!

Additionally, the site offers you a place where you can buy tickets to upcoming games and bet online. Not to mention, the availability of 'RTE Monday night soccer' and other similar podcasts.

This site is easy to view, informative and entertaining. Perfect for all the football fans out there!

Stolen for fashion

noreply@blogger.com (weclickit) — Sun, 29 Mar 2009 21:20:00 +0000

Stella McCartney is known for it, Eva Mendes has posed naked for it and now Pink along with Ricky Gervais have joined PETA; People for the ethical treatment of animals.
Pink and Ricky have protested against Australian wool for the governments mistreatment of animals.

PETA has 2.0 million members and supporters and is the largest animal rights organization in the world. Through educational schemes, cruelty investigations, legislation and events it focuses on 4 key areas of animal suffering; on factory farms, in laboratories, in the clothing trade, and in the entertainment industry.

Through the PETA site you can sign up for information, volunteer and most importantly spread the awareness of constant cruelty to innocent animals across the globe who are stolen of their rights,

Life as a ‘Leading Lady’

noreply@blogger.com (weclickit) — Wed, 26 Nov 2008 23:39:00 +0000

Since I have been a child, I have always dreamt of being part of the 'Old 1940’s and 1950’s Movie’ era, where Jazz bands played and mustangs were the only way to get around town. It was a time when it was fashionable for women to smoke cigarettes and the ‘leading ladies’ represented women with independence. Even still, chivalry remained. This was an age that represented glamour, glitz and a balance of the sexes.

My ideology of a ‘Leading Lady’ became more of a reality when five years ago, I opened the pages of Lee Servers edition of the life 'Ava Gardner'. From beginning to end I remained entirely in her world, in my imagination that is. I envisaged her country upbringing in North Carolina and became transfixed during her move to New York City. Eventually, became ecstatic when she moved onto the film sets of Hollywood.

On the voyage through her star-studded, country-hopping lifestyle, I depicted my image of what it was like to live the life of a 'goddess'. Ava was a woman who at her least could stop traffic with her incomparable beauty. Moving through her endless list of relationships, she was so influential that she launched the career of her late husband Frank Sinatra. Not only could she attract male attention but even had her house bugged by her friend the infamous Howard Hughes. Ava was a lady who was fated for stardom, but at what cost?

On set and in life, anything she wanted she would receive without question, men included. Despite her popularity and success, what fascinated me most was the vulnerability that she possessed. Ava admitted openly that she longed for the ‘perfect love’ and never slept a night alone. Along with self-doubting her skills as an actress and her heavy-drinking escapades,which friends suggested masked her underlying sensitive side.

Combined together, these genuine qualities explained the attraction to her fans and the constant company surrounding her. In the end, Ava died in her late 60’s in Spain with her two best friends, Carmen her maid and Morgan her dog. To me that was strange for such a popular princess.

Moving forward, with the anniversary of the tragic death of our 'Irish Leading Lady', Katy French approaching I have noted a similar pattern between the two. Katy, not unlike Ava was modest in her appearance and felt that ‘being a sex symbol has to do with attitude, not looks’. She also explained ‘I think I’m probably really actually more sensitive than most people. But that’s why I’m tough. It’s like a balance thing’, seen in attributes of Ava.

Evidently, Katy encompassed the goddess image. Beauty, intelligence and a brass confidence that she was not scared to share with the Irish public. Once again, I was perplexed at what happened to the young icon, whom from the outset had the world in the palm of her hands.

Both women were not just ‘sex symbols’ but clearly represent the downside and pressure that comes with this public status. Although there is still part of me that will always reminisce about the old days, the splendour and hope that one day I will be on stage with my own Sinatra, Michael Buble...

More than ever, I admire the roles upheld by these leading ladies. Not only do they leave behind timesnaps of their beauty. More importantly both ‘Femme Fatal’s’ represent a stark reality of this position, for any other beauties who may wish to walk in their not-so-shimmering shoes.

In business for yourself, not by yourself

noreply@blogger.com (weclickit) — Fri, 21 Nov 2008 18:46:00 +0000

An introduction into Franchising was held in the RDS today by John Green, the Chairmain of the Irish Franchise Association.

Mr. John Green was one of today’s Guest Speakers at the Annual Irish Franchise Exhibition, held in the RDS. He began with a background of Franchises since 1858, and then moved onto the development and the present situation of these here in Ireland. Lastly, he finished with information of how to develop your and set-up your own franchise business.

To start, Mr. Green informed everyone that the term ‘franchise’ came about from the work of Isaac Singer, of whom designer the renowned Singer Sewing Machine. It appears that Mr. Singer was faced with two problems with expansion of this model. Firstly, that it required skills in order to be used and the fact that he had used all of his money in production of the machine.

Consequently, a franchise was formed between the franchisor Mr. Singer and his investors, the franchisee. Without this help, he would have had no other means to finance and promote this business venture. One that is worldly-known today.

Following on, Mr. Green moves forward to the next generation of franchisers. During the 1950’s, these were stemmed from the business tycoon Ray Croc who is the founder of Mac Donald’s. Mr Croc was innovative in his franchise when he introduced the concept of cloning and Trade Dress. Since then, the concept has advanced throughout the globe, with Mc Donald’s being one unquestionable success story to date.

In most recent years, Mr. Green denotes that the expansion has reached Ireland in a constructive way. As franchises are most suitable in a service-based economy, these types are seen here in varying businesses such as ‘O’Brien’s, Gymboree, The UPS, Gloria Jeans and Candy Bouquet’. He also reminds us of the 1980’s case which was an attempt to create a franchise of the 7-Eleven here in Ireland. In this example, it appears that this was ‘ahead of it’s time’ and with the economic recession looming, there is ‘potential’ scope for such enterprises here in Ireland.

On the topic of optimism, the figures show that the franchising market seen in 1980’s study compared to that in 2006, has clearly ‘punched well above its weight’. In 1980’s there was a 100 million euro turnover and 60 systems in operation. Moving forward, in 2006 studies show that there has been a 6% growth per annum. With 2.1 billion seen in turnovers, 26,000 employed in this sector and 2,400 franchise outlets shows an indisputable success in this division.

To end, Mr. Green spoke of both the advantages and drawbacks when initiating a business in this manner. He describes it as being ‘in business for yourself, not by yourself’. With every case having different legal and financial obligations, awareness is essential for potential investors.

In conclusion, Mr. Green outlines the roles of the Irish Franchise Association, who not only offer Quarterly Newsletters, Seminars and are open to discussion. This organisation also maintains ethical standards, assist developments and continuously raise the profile for the model to expand.

Productive press in charitable coverage...

noreply@blogger.com (weclickit) — Tue, 28 Oct 2008 15:40:00 +0000

With the evolution of technology and media in play, methods of raising money for charity have evolved in recent years. The international 'Big Sing' campaign is one example of this new wave of media-centered charity events. In this case, Special Olympics Ireland, ISPCC and the Irish Broadcasters of Ireland have joined forces to promote the campaign which shall break a Guinness World Record.
On 27th of November 2008 at 2.45pm the school children of Ireland shall sing in unison with various countries around the world, Desree's song 'You Gotta Be'. Check out www.bigsing.com for further details.

As a practitoner of Metamorphosis, I believe that fundamental change is necessary in order to have a balance in life. With respect to the media, they are integral part in promoting charitable awareness, which can allow those suffering to come forward and have this chance in life.

With successful events like the mini-marathon and a diverse mix of lunches, balls and fashion events on the rise, the media influence is unquestionable. Overall, this process is positive and allows people to be part of a charitable community on whatever scale that they chose to be.

Despite this kind coverage, various charities, mainly those related to mental health and suicide appear to have a harder time in promoting their cause. In 2006 'Headline' agency was set up to monitor responsible coverage of press related to these untouched upon topics. Organisations dealing with these concerns, such as Aware, Samaritans and Bodywhys, to name a few, are overlooked in comparison.

Let's hope that with the media charity culture in practise, the press will use their power to shift this stagnant stigma. Thus, promoting these key groups in society, who are only there to help after all.

'Impossible is nothing' in the field of sports...

noreply@blogger.com (weclickit) — Tue, 28 Oct 2008 11:17:00 +0000

It's hard to believe that someone could complete the 26 mile Dublin City Marathon in 2 hours, 11 minutes and 6 seconds. Yet, Ukraninan Andriy Naumov proved yesterday that 'impossible is nothing'. Following behind were the record-breaking 12,000 participants, including my athletic friend Shona Keane, who reached the end in a remarkable 3 hours and 36 mins. Regardless of what time you crossed the white line, a huge Congratulations is owed to all of whom took part!

Moving on to Rugby, Brian O'Driscoll has been named captain of Ireland for the upcoming Guiness series. This honour will mark his 50th time representing Ireland as chief (48times as of yet). Their first game against Canada is being held in Thomond Park Stadium on November 5th.

Then it's back to the Eircom League, where Sporting Fingal had a 2-0 win against Kildare last Friday and a 1-0 win against Athlone last night which moves them back up to third position.

Over to the Premier Divison, where Vidic has revealed his fear this season that Manchester United may have been put 'out of the Premier League'. Thankfully he adds, that 'we've started to look like a team again, compact and with the right shape'. With a tough 1-1 draw against Everton on saturday, lets hope his words prove correct in their game against West Ham tomorrow.

Last but by no means least, the Irish Special Olympics team are in full preparation for the 2009 World Winter Games in Boise, Idaho, USA. Having qualified against 35 athletes in the Special Olympics Ireland Games last April, the 8 competing athletes are listed as follows; Ryan Hill from Co. Armagh, Cathal Murphy from Co. Kildare, Lorraine Whelan from Co. Wicklow, Katherine Daly, Rebecca McGonagle, Clara Keogan, Ben Purcell and Charlie O'Reilly all from Dublin.

Fashion Forecasts 2008/09...

noreply@blogger.com (weclickit) — Mon, 27 Oct 2008 18:24:00 +0000

It appears the Irish fashion industry has hit the international standard that it tailed behind for far too long. After a meeting with Lisa Shawgi (www.lisashawgi.com), who is the current assistant coordinator of ‘The Loft Market’ in Dublins' Powerscourt centre, the news she offered excited every fashion-loving muscle in my body!

To start, The Loft Market shall host its two-year anniversary party on Friday 28th of November. The bash continues up until Sunday 30th, offering a unique service of free styling from the professionals (including myself) which can be booked as of now.

Next, there is the first DUBLIN FASHION FRINGE FESTIVAL, which will hit Dublin City this coming March. With a two-day trial Fringe in August proving to be a major success, Lisa and her business partner Oonagh Davidson have decided to give it the go-ahead!

Let’s move on to her idea for T.A.D.C.O.I; The Artisans and Designers Community of Interests Ltd. This project has been set into place with John Fennel from the Dublin City Enterprise. Their aim is to provide an affordable incubation studio space and a showroom for Artists to display their work 24/7. Although plans may be up in the air, with Paul Costello as their patron, investors would be foolish to pass this opportunity by!

Last but least, Re-Dress will host Fashion Evolution week from April 20th to 26th, set-up by Kate Nolan and assistants Rosie and Kelie. They shall bring together a mix of upcoming ethical designers, who will once again showcase Irish creative talent at its finest.